Saint George
Mask of Saint George by Donatello, executed in 1415-1417. Donatello’s depiction of St. George seems to reflect the idea of standing tall against an approaching enemy. He turns his neck slightly to his left, his mouth is barely opened, and his pupils show a glance which is up and to his left, rather than directly in front of him. His expression is one of intense concentration, reflected in his wrinkled brow. This is a look of courage and resolve; this is a figure who will not back down. Thus, St. George’s facial expression complements the posture of his body to create a memorable statement not only about this man in particular, but also about the Florentine spirit in general. It is certain that Michelangelo would have taken cues from this sculpture when he set out to create the David.
15.5 x 9”
Mask of Saint George by Donatello, executed in 1415-1417. Donatello’s depiction of St. George seems to reflect the idea of standing tall against an approaching enemy. He turns his neck slightly to his left, his mouth is barely opened, and his pupils show a glance which is up and to his left, rather than directly in front of him. His expression is one of intense concentration, reflected in his wrinkled brow. This is a look of courage and resolve; this is a figure who will not back down. Thus, St. George’s facial expression complements the posture of his body to create a memorable statement not only about this man in particular, but also about the Florentine spirit in general. It is certain that Michelangelo would have taken cues from this sculpture when he set out to create the David.
15.5 x 9”
Mask of Saint George by Donatello, executed in 1415-1417. Donatello’s depiction of St. George seems to reflect the idea of standing tall against an approaching enemy. He turns his neck slightly to his left, his mouth is barely opened, and his pupils show a glance which is up and to his left, rather than directly in front of him. His expression is one of intense concentration, reflected in his wrinkled brow. This is a look of courage and resolve; this is a figure who will not back down. Thus, St. George’s facial expression complements the posture of his body to create a memorable statement not only about this man in particular, but also about the Florentine spirit in general. It is certain that Michelangelo would have taken cues from this sculpture when he set out to create the David.
15.5 x 9”
